I don't remember when I first heard of this movie, but for whatever reason it eluded me until Asianet finally decided to play it again (or was it the first time on TV?) on Sunday, Jan 6th. I guess the fact that this was one of the legendary Thilakan's last movies or this was one of Dulquer Salman's (Mammootty's son) first few movies played large in keeping the name 'Ustad Hotel' right on the top of my 'to watch list' of Malayalam movies. And I wasn't disappointed with the wait, the Dum Malabari Biriyani turned out to be well worth the wait for it.

The movie itself is a sweet, no-frills, bittersweet romantic one. The script is relatively uncomplicated and the pace is quite nice, not too slow nor too fast given the genre of the movie. The story primarily deals with Faisi's (played by Dulquer) love for cooking, his fall out with his father who wants him to be a businessman and how this leads to Faisi discovering his grandfather (Karim ka played by Thilakan) and the eponymous 'Ustad Hotel' in Kozhikode.

As the name suggests food is an overarching theme in this movie and the love for it pretty much forms the basis on which the story revolves around. Looking back though, I can't help but wonder if this movie had shed its entire commercial angle and focused more on the food, whether it would have seen the commercial success it did. If a gutsy filmmaker had taken this script and made it more about the grandson's and the grandfather's common love for good food and dared to make an entire movie with this subject, now that would've made this movie all the more interesting for me to watch.

In any case, the movie as it is today manages to strike the right balance between the love for food and the other necessary commercial elements such as the token love story between Faisi and Shahana (played wonderfully well by Nithya Menen who remains enigmatically beautiful to me whenever I catch her on TV). Shahana’s character is also used by the director to portray an extremely forward-looking modern Muslim girl who is actually a lead singer of a Fusion Band in the movie. She comes across as an extremely self-confident, spunky leading lady who is quite clear on what she wants from her life and what needs to be done to grab her dreams.

The movie in my opinion does take some unnecessary detours into Ustad Hotel trying to be acquired by an unscrupulous business tycoon who wants to expand his existing Five Star property on the beachfront, etc. But then, these script elements were necessary to keep the movie moving from a commercial angle I guess.

To conclude, I would rate Ustad Hotel reasonably high and would recommend it, especially for people who love food, love their grandfathers (and the accompanying treasure trove of knowledge and wisdom nuggets) and also for people who like light hearted rom-com movies.
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A couple of reasons why I watched ‘Before the Rains’ were Santosh Sivan, its director and Nandita Das, its lead character. While I am a huge fan of Santosh Sivan’s cinematography in almost all of the movies in which he collaborated with Mani Ratnam (Roja, Iruvar, Dil Se, Raavanan, need I say more), the fact that I had seen quite a few interviews of his and he came across as this amazingly imaginative person who knows how to get the maximum detail in each and every frame of his piqued my interest in him. Santosh Sivan is almost like an university of cinematography and the script that he picked up for this movie lent itself to be filmed extraordinarily beautifully.

The second reason that I watched this movie was Nandita Das.
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These days Tamil cinema is in the middle of a silent revolution. While movies continue being made with big budgets, big stars (such as Singam 2, poised to release on 5th July), there is this entire other stream of movies being made with smaller budgets, smaller ‘stars’ which give much more weightage to crisp scripts, taut screenplays, and an overall appreciation to the different facets of film-making.
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I don't remember when I first heard of this movie, but for whatever reason it eluded me until Asianet finally decided to play it again (or was it the first time on TV?) on Sunday, Jan 6th. I guess the fact that this was one of the legendary Thilakan's last movies or this was one of Dulquer Salman's (Mammootty's son) first few movies played large in keeping the name 'Ustad Hotel' right on the top of my 'to watch list' of Malayalam movies.
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"Unknown" was just that, an unknown choice of a movie to watch on a Sunday afternoon. When the Missus, my cousin and me decided to sit down to watch some nice movie, the onus of choice of the movie was left to me. Browsing through my cousin's collection of movies, I happened to come across "Unknown". Not knowing anything else about the movie other than the fact that Liam Neeson starred in it, the three of us sat down to watch it.

In a departure from normal protocol, Agent Ethan Hunt is not necessarily given a choice to accept the mission in this instalment of Mission Impossible.
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At the outset "The Descendants" is a movie based on two, maybe three thin threads of stories with common characters.

The first one deals with Matt King who is the Managing Trustee of a trust which controls 25000 acres of virgin untouched land in the island of Ka'aui in Hawaii. King and his family members (read cousins, extended cousins, etc) are in the process of finalizing a deal to sell off the land and make a fortune.
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If any of the readers of this post have read the book 'The Girl with the Dragon Tattoo' and intend to watch the movie sometime soon (albeit not in Indian theatres given that the Indian Govt has decided to ban its release in India, will soon write a separate post on that topic), request you folks to read this review with great caution as there are quite a few spoilers ahead which might end up ruining the entire movie watching experience for you.
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Now if you are a book lover and a regular reader of the thriller action genre of books there's no way that you could have missed reading "The Girl with the Dragon Tattoo" by Stieg Larsson. This book made the literary circles and the bestseller lists of the world go ga-ga sometime ago.

The plot deals with the case of a young girl who has been missing for 30+ years and how the girl's grandfather hires an investigative journalist to trace the girl.
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You know you are in for a ride when the movie begins with a panoramic view of the Earth from the other side, the dark side of the Moon.
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While the posters of Vaanam bandied around Anushka dressed glamorously, Bharath posing with a guitar and Simbu in various poses, it gave me the impression that this was a run of the mill masala movie with the usual mass elements such as songs, dances, fights, glamour, etc etc. However, people who actually went to the theatre and watched the movie gave quite decent reviews and asked me to watch it at least once due to the fact that it was quite a different movie, in a nice way.
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